![]() ![]() I wont reiterate the EULA as they have been nicely outlined before me. You can use Genesis products on Iclone, but if you are going to make any money from the movie or if you want to copyright your characters. ![]() There is a lot of murky stuff going on between EULA's and what the companies are saying. That is if you want the full rights to whatever you make. ![]() ![]() If you want to create anything 'original' with Iclone you better be ready to do some work and make it yourself. I struggled for 15 years trying to have interlaced look as good as possible in on progressive technology like movie screens.įirst, lets just be clear about one thing. The technology was absolutely needed back in the days when 60p was to overwhelming for the hardware. 525 scan lines separated to record lower/upper produces an actual resolution of only 262 lines. They do however have to be fitted with real time de-interlacers so that "i" streams doesn't look like the complete crap that it is. The major reason being that no flat screen TV can show "i". 1080/60p will replace 29,97i in NTSC (Never The Same Color) territories. Sorry to be backing so far in this discussion but even if "i" is an SMPTE industry standard for backwards compatibility with older gear it's not something I think iClone should spend any resources supporting since all of the new standards doubles the frame rate to compensate for what interlaced used to do. Precisely the lack of interlacing (optional of course) is what makes iClone UNSUITABLE for video producers using inline video process. I am surprised the audience here doesn't know this! If you notice, iClone renders to file by skipping alternate frames when saving AVI and other formats, sacrificing temporal resolution. The problem with iClone is you are forced to use image sequences rendered at 60 fps, then use other software to encode the video into an interlaced format, suitable for DVD and analog TV, which is widely used around the globe. Your video camera, no matter how good and new, uses it to output video to a plain TV monitor. Adobe Premier has it After Effects has it MAX AND MAYA and practically All video render engines do as well. They ARE a currently and widely used formats!ĭear Rampa: There is no such difficulty to introduce such output formats in iClone. When you speak of composite video or S-video, plus all the new formats ending with an "i" (720i, 1080i,i480i) and such, they are INTERLACED formats suitable for being modulated on a TV carrier. Open an empty project.NTSC standards are not a thing of the past. Substance Painter’s shelf is your one-stop repository from brush alphas to material presets, but you may at some point, want to create a shelf of your own to make particular tools more accessible. As Amiel discussed in his GarageFarm Academy video, here is a list of five useful tips for working within Painter that you may be glad to know if you don’t already: #1. If you’re reading this it’s likely you already have Substance Painter handy or are at least curious. While there’s much that can be accomplished with some tileable maps from CG Textures providers, and creating procedural shaders can be just as rewarding and effective, dedicated 3d Texturing applications like Substance Painter afford you both speed and customizability not easily found in the standard 3d package. Five Things You Didn’t Know About Substance Painterģd Texturing can be both fun and cumbersome process, depending on your familiarity with the subject, as well as what tools you have in your arsenal for this task. ![]()
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